He swallows the red pill and learns the truth about the ordinary world. In The Matrix, Neo accepts the red pill from his mentor Morpheus. Having nowhere to go, he accepts Obi-Wan’s call to adventure and goes on a quest to rescue Princess Leia. In Star Wars, Luke returns home to find his aunt and uncle are dead. Here, the hero finally leaves his or her ordinary world and enters the other or unknown world. This moment comes at the end of the first act of the story. Our hero leaves his or her old life behind. In the recent Spiderman films, the hero meets Ironman and gains a special suit, which gives him new powers. He offers Luke his father’s old light-saber and promises to train him in the mysterious ways of the Force. The hero meets a seasoned traveler of the world and receives training and equipment from him or her. Our hero meets a more knowledgeable teacher or guide. The council immediately begin fighting with each other over what to do next. In Lord of the Rings, Frodo travels to Rivendell, meets Elrond, and learns the ring must be destroyed. Then, he says he will bring Luke to Alderaan and train him in the ways of the Force. In Star Wars, Obi-Wan Kenobi tells Luke about the age-long struggle between the evil Empire and the Rebels. An archetypal hero becomes reluctant and afraid to embrace this call to adventure. The hero catches a glimpse of a new unknown world. In Toy Story, this is the moment Woody leaves Andy’s bedroom’s safety, albeit accidentally. In Lord of the Rings, Gandalf visits Frodo Baggins and sends him on a mysterious adventure: to carry a magic ring to Rivendell. So, he seeks out an old hermit Obi-Wan Kenobi to help him understand what this message means. In Star Wars, Luke cleans an old droid called R2D2 and accidentally plays a help message from Princess Leia. He may encounter and disbelieve fabulous forces. The Call To AdventureĪ dramatic incident calls the hero on a dangerous path and leaves the known world behind. Similarly, in Lord of the Rings, we meet Frodo and his friends living a care-free life in the Shire. He is an ordinary man with ordinary problems. In Star Wars, we meet Luke living a bored and isolated life on Tatooine’s backwater desert planet. Here, the reader or viewer meets an uneasy, ordinary person going about their daily lives and sympathizes with the unlikely hero. Let’s dive into this storytelling technique using examples from Star Wars and other popular films. Star Wars is one of the most popular stories of the modern era, but did you know George Lucas guided his story for the first film around using the twelves stages of the Hero’sJourney? It’s usually a cycle, a coming and a returning.”Įssentially, the hero (it could be you or your protagonist) of any story goes on a journey and comes back a changed person. “The person then takes off on a series of adventures beyond the ordinary, either to recover what has been lost or to discover some life-giving elixir. “The usual hero adventure begins with someone from whom something has been taken, or who feels there is something lacking in the normal experience available or permitted to the members of society.” In the 1949 book The Hero With a Thousand Faces, scholar Joseph writes about the Hero’s Journey: Although it’s in vogue today, it’s a rather old form of story structure. The Hero’s Journey is a popular storytelling framework used in films like Star Wars, The Matrix, Toy Story, and the recent Marvel superhero films.
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